Ava Gardner
Ava Gardner
(Age 67 Yr. )
Personal Life
Education | College dropout |
Religion | Atheist |
Nationality | American |
Profession | Actress |
Place | Westminster, London,   USA |
Physical Appearance
Height | 5 feet 6 inches |
Weight | 52 kg (approx.) |
Body Measurements | 36 inches, 23 inches, 37 inches |
Eye Color | Green |
Hair Color | Dark Brown |
Family
Parents | Father: Jonas Bailey Gardner Mother: Mary Elizabeth Gardner |
Marital Status | Divorced |
Spouse | Frank Sinatra (1951 – 1957), Artie Shaw (1945 – 1946) and Mickey Rooney (1942 – 1943) |
Siblings | Brothers: Melvin Gardner, Raymond Gardner Sisters: Myra Gardner, Beatrice Gardner, Elsie Mae Gardner, Inez Gardner |
Favourite
Color | Green |
Place | Europe, Home |
Index
1. Early life |
2. Career |
3. Religion and political view |
4. Death |
5. Book |
6. Accolades |
7. Filmography |
Ava Lavinia Gardner was an American actress. She first signed a contract with Metro-Goldwyn-Mayer in 1941 and appeared mainly in small roles until she drew critics' attention in 1946 with her performance in Robert Siodmak's film noir The Killers. She was nominated for an Academy Award for Best Actress for her performance in John Ford's Mogambo (1953), and for best actress for both a Golden Globe Award and BAFTA Award for her performance in John Huston's The Night of the Iguana (1964). She was a part of the Golden Age of Hollywood.
During the 1950s, Gardner established herself as a leading lady and one of the era's top stars with films like Show Boat, Pandora and the Flying Dutchman (both 1951), The Snows of Kilimanjaro (1952), The Barefoot Contessa (1954), Bhowani Junction (1956) and On the Beach (1959). She continued her film career for three more decades, appearing in the films 55 Days at Peking (1963), Seven Days in May (1964), The Bible: In the Beginning... (1966), Mayerling (1968), The Life and Times of Judge Roy Bean (1972), Earthquake (1974) and The Cassandra Crossing (1976). And in 1985, she had the major recurring role of Ruth Galveston on the primetime soap opera Knots Landing. She continued to act regularly until 1986, four years before her death in 1990, at the age of 67.
Early life
Ava Lavinia Gardner was born on December 24, 1922, in Grabtown, North Carolina, the youngest of seven children. She had two older brothers, Raymond and Melvin, and four older sisters, Beatrice, Elsie Mae, Inez and Myra. Her parents, Mary Elizabeth "Molly" (née Baker; 1883–1943) and Jonas Bailey Gardner (1878–1938), were poor tobacco sharecroppers. She was of English and Scots-Irish ancestry.
She was raised in the Baptist faith of her mother. While the children were still young, the Gardners lost their property, and Molly received an offer to work as a cook and housekeeper at a dormitory for teachers at the nearby Brogden School that included board for the family and where Jonas continued sharecropping tobacco and supplemented the dwindling work with odd jobs at sawmills. In 1931, the teachers’ school closed, forcing the family to finally give up on their property dreams and move to a larger city, Newport News, Virginia, where Molly found work managing a boarding house for the city's many shipworkers. While in Newport News, Jonas became ill and died from bronchitis in 1938, when Ava was 15 years old. After her father's death, the family moved to Rock Ridge near Wilson, North Carolina, where Molly ran another boarding house for teachers. Ava attended high school in Rock Ridge and she graduated from there in 1939. She then attended secretarial classes at Atlantic Christian College in Wilson for about a year.
Career
Gardner was visiting her sister Beatrice in New York City in the summer of 1940, when Beatrice's husband Larry Tarr, a professional photographer, offered to take her portrait as a gift for her mother Molly. He was so pleased with the results that he displayed the finished product in the front window of his Tarr Photography Studio on Fifth Avenue.
A Loews Theatres legal clerk, Barnard Duhan, spotted Gardner's portrait in Tarr's studio. At the time, Duhan often posed as a Metro-Goldwyn-Mayer (MGM) talent scout to meet girls, using the fact that MGM was a subsidiary of Loews. Duhan entered Tarr's studio and tried to get Gardner's number, but was rebuffed by the receptionist. Duhan made the comment, "Somebody should send her info to MGM", and the Tarrs did so immediately. Shortly after, Gardner, who at the time was a student at Atlantic Christian College, traveled to New York to be interviewed at MGM's New York office by Al Altman, head of MGM's New York talent department. With cameras rolling, he directed the 18-year-old to walk towards the camera, turn and walk away, then rearrange some flowers in a vase. He did not attempt to record her voice because her strong Southern accent made understanding her difficult for him. Louis B. Mayer, head of MGM, however, sent a telegram to Altman: “She can't sing, she can't act, she can't talk, she's terrific!” She was offered a standard contract by the studio and left school for Hollywood in 1941, with her sister Beatrice accompanying her. MGM's first order of business was to provide her with a speech coach, as her Carolina drawl was nearly incomprehensible to them, and Harriet Lee as her singing teacher.
In 1966, Gardner briefly sought the role of Mrs. Robinson in Mike Nichols' The Graduate (1967). She reportedly called Nichols and said, "I want to see you! I want to talk about this Graduate thing!" Nichols never seriously considered her for the part, preferring to cast a younger woman (Anne Bancroft was 35, while Gardner was 44), but he did visit her hotel, where he later recounted, “she sat at a little French desk with a telephone, she went through every movie star cliché. She said, 'All right, let's talk about your movie. First of all, I strip for nobody.'”
Gardner moved to London in 1968, undergoing an elective hysterectomy to allay her worries of contracting the uterine cancer that had claimed the life of her mother. That year, she appeared in Mayerling, in which she played the supporting role of Austrian Empress Elisabeth of Austria, opposite James Mason as Emperor Franz Joseph I.
She appeared in disaster films throughout the 1970s, notably Earthquake (1974) with Heston, The Cassandra Crossing (1976) with Lancaster, and the Canadian movie City on Fire (1979). She appeared briefly as Lillie Langtry at the end of The Life and Times of Judge Roy Bean (1972), and in The Blue Bird (1976). Her last movie was Regina Roma (1982). In the 1980s, she acted primarily on television, including the miniseries remake of The Long, Hot Summer and in a story arc on Knots Landing (both 1985).
Religion and political view
Although Gardner was exposed to Christianity throughout her early years, she was an atheist later in life. Religion never played a positive role in her life, according to biographers and Gardner, in her autobiography Ava: My Story. Her friend Zoe Sallis, who met her on the set of The Bible: In the Beginning... when Gardner was living with John Huston in Puerto Vallarta, said Gardner always seemed unconcerned about religion. When Sallis asked her about religion once, Gardner replied, "It doesn't exist". Another factor that contributed to this was the death of Gardner's father in her youth, "Nobody wanted to know Daddy when he was dying. He was so alone. He was scared. I could see the fear in his eyes when he was smiling. I went to see the preacher, the guy who'd baptized me. I begged him to come and visit Daddy, just to talk to him, you know? Give him a blessing or something. But he never did. He never came. God, I hated him. Cold-arse bastards like that ought to ... I don't know ... they should be in some other racket, I know that. I had no time for religion after that. I never prayed. I never said another prayer". Concerning politics, Gardner was a lifelong Democrat, and supported Adlai Stevenson II in the 1952 United States presidential election.
Gardner was a staunch supporter of civil rights for African-Americans throughout her life. As a child growing up in North Carolina, she would often sit with African-American children in segregated parts of movie theaters. Her personal assistant, Rene Jordan, was African-American, and Gardner would often take her to clubs that were for whites only. She supported Henry A. Wallace of the Progressive Party, whose campaign in 1948 for the presidential election sought racial equality and desegregation.
She became a member of the NAACP in August 1968.
Death
A bout of pneumonia, after a lifetime of smoking, coupled with her underlying condition of lupus erythematosus brought on a stroke in 1986 that left Gardner partially paralyzed. Although she could afford her medical expenses, Sinatra wanted to pay for her visit to a specialist in the United States, and she allowed him to make the arrangements for a medically staffed private plane. She died in January 1990, at the age of 67, of pneumonia and fibrosing alveolitis at her London home 34 Ennismore Gardens, where she had lived since 1968.
Gardner is buried in Sunset Memorial Park in Smithfield, North Carolina, next to her siblings and their parents, Jonas and Molly Gardner. The Ava Gardner Museum, incorporated in 1996, is located nearby.
Book
In the last years of her life, Gardner asked Peter Evans to ghostwrite her autobiography, stating: "I either write the book or sell the jewels." Despite meeting with Evans frequently, and approving of most of his copy, Gardner eventually learned that Evans, along with the BBC, had once been sued by her ex-husband Frank Sinatra. Gardner and Evans's friendship subsequently cooled, and Evans left the project. Evans' notes and sections of his draft of Gardner's autobiography, which he based on their taped conversations, were published in the book Ava Gardner: The Secret Conversations after Evans' death in 2012.
Accolades
Gardner was nominated for an Academy Award for Mogambo (1953); the award was won by Audrey Hepburn for Roman Holiday. Her performance as Maxine Faulk in The Night of the Iguana (1964) was well-reviewed, and she was nominated for a BAFTA Award and a Golden Globe. Additionally, Ava Gardner won the Silver Shell for Best Actress at the San Sebastián International Film Festival in 1964 for her performance in The Night of the Iguana.
Filmography
Film
Year | Title | Role | Notes |
---|---|---|---|
1941 | Fancy Answers | Girl at Recital | Short film Uncredited |
1941 | Strange Testament | Waitress | Short film Uncredited |
1941 | Shadow of the Thin Man | Passerby | Uncredited |
1941 | H. M. Pulham, Esq. | Young Socialite | Uncredited |
1941 | Babes on Broadway | Audience member | Uncredited |
1942 | Joe Smith, American | Miss Maynard, Secretary | Uncredited |
1942 | This Time for Keeps | Girl in car lighting cigarette | Uncredited |
1942 | We Do It Because | Lucretia Borgia | Short film Uncredited |
1942 | Kid Glove Killer | Car Hop | Uncredited |
1942 | Sunday Punch | Ringsider | Uncredited |
1942 | Calling Dr. Gillespie | Student at finishing school | Uncredited |
1942 | Mighty Lak a Goat | Girl at the Bijou box office | Short film Uncredited |
1942 | Reunion in France | Marie, a salesgirl | Uncredited |
1943 | Du Barry Was a Lady | Perfume Girl | Uncredited |
1943 | Hitler's Madman | Franciska Pritric, a Student | Uncredited |
1943 | Ghosts on the Loose | Betty | |
1943 | Young Ideas | Co-ed | Uncredited |
1943 | Swing Fever | Receptionist | Uncredited |
1943 | Lost Angel | Hat Check Girl | Uncredited |
1944 | Two Girls and a Sailor | Dream Girl | Uncredited |
1944 | Three Men in White | Jean Brown | |
1944 | Maisie Goes to Reno | Gloria Fullerton | |
1944 | Blonde Fever | Bit Role | Uncredited |
1945 | She Went to the Races | Hilda Spotts | |
1946 | Whistle Stop | Mary | |
1946 | The Killers | Kitty Collins | |
1947 | The Hucksters | Jean Ogilvie | |
1947 | Singapore | Linda Grahame / Ann Van Leyden | |
1948 | One Touch of Venus | Venus / Venus Jones | |
1949 | The Bribe | Elizabeth Hintten | |
1949 | The Great Sinner | Pauline Ostrovsky | |
1949 | East Side, West Side | Isabel Lorrison | |
1951 | My Forbidden Past | Barbara Beaurevel | |
1951 | Show Boat | Julie LaVerne | |
1951 | Pandora and the Flying Dutchman | Pandora Reynolds | |
1952 | Lone Star | Martha Ronda | |
1952 | The Snows of Kilimanjaro | Cynthia Green | |
1953 | The Band Wagon | Herself | Uncredited |
1953 | Ride, Vaquero! | Cordelia Cameron | |
1953 | Mogambo | Eloise "Honey Bear" Kelly | Nominated—Academy Award for Best Actress |
1953 | Knights of the Round Table | Guinevere | |
1954 | The Barefoot Contessa | Maria Vargas | |
1956 | Bhowani Junction | Victoria Jones | Nominated—BAFTA for Best Foreign Actress |
1957 | The Little Hut | Lady Susan Ashlow | |
1957 | The Sun Also Rises | Lady Brett Ashley | |
1958 | The Naked Maja | Maria Cayetana, Duchess of Alba | |
1959 | On the Beach | Moira Davidson | Nominated—BAFTA for Best Foreign Actress |
1960 | The Angel Wore Red | Soledad | |
1963 | 55 Days at Peking | Baroness Natalie Ivanoff | |
1964 | Seven Days in May | Eleanor Holbrook | |
1964 | The Night of the Iguana | Maxine Faulk | Nominated—BAFTA for Best Foreign Actress Nominated—Golden Globe Award for Best Actress in a Motion Picture – Drama |
1966 | The Bible: In the Beginning... | Sarah | |
1968 | Mayerling | Empress Elizabeth | |
1970 | Tam-Lin | Michaela Cazaret | |
1972 | The Life and Times of Judge Roy Bean | Lily Langtry | |
1974 | Earthquake | Remy Royce-Graff | |
1975 | Permission to Kill | Katina Petersen | |
1976 | The Blue Bird | Luxury | |
1976 | The Cassandra Crossing | Nicole Dressler | |
1977 | The Sentinel | Miss Logan | |
1979 | City on Fire | Maggie Grayson | |
1980 | The Kidnapping of the President | Beth Richards | |
1981 | Priest of Love | Mabel Dodge Luhan | |
1982 | Regina Roma | Mama |
Television
Year | Title | Role | Notes |
---|---|---|---|
1953 | What's My Line | Herself, as Mystery Guest | Her first TV show appearance |
1985 | A.D. | Agrippina | Miniseries |
1985 | Knots Landing | Ruth Galveston | 7 episodes |
1985 | The Long Hot Summer | Minnie Littlejohn | TV movie |
1986 | Harem | Kadin | TV movie |
1986 | Maggie | Diane Webb | TV movie (final film role) |