Kareena Kapoor Khan is an Indian actress who appears in Hindi films. She is the daughter of actors Randhir Kapoor and Babita, and the younger sister of actress Karisma Kapoor. Noted for playing a variety of characters in a range of film genres—from romantic comedies to crime dramas—Kapoor is the recipient of several awards, including six Filmfare Awards, and is one of Bollywood's highest-paid actresses.

After making her acting debut in 2000 in Refugee, Kapoor established herself with roles in the dramas Aśoka and Kabhi Khushi Kabhie Gham... (both 2001). This was followed by a series of commercial failures and negative reviews for her repetitive roles. An against-type performance as a sex worker in the drama Chameli marked a turning point in her career. She earned critical recognition for her portrayal of a riot victim in the 2004 drama Dev and a character based on William Shakespeare's heroine Desdemona in the 2006 crime film Omkara. Further praise came for her performances in the romantic comedies Jab We Met (2007) and Ek Main Aur Ekk Tu (2012), the thrillers Kurbaan (2009) and Talaash: The Answer Lies Within (2012), and the dramas We Are Family (2010), Heroine (2012) and Udta Punjab (2016). Her highest-grossing releases include the dramas 3 Idiots (2009), Bodyguard (2011) and Bajrangi Bhaijaan (2015), the action film Singham Returns (2014), and the comedies Veere Di Wedding (2018) and Good Newwz (2019).

Kapoor is married to actor Saif Ali Khan, with whom she has two sons. Her off-screen life is the subject of widespread coverage in India. Known for being outspoken and assertive, she is recognised for her contributions to the film industry through her fashion style and film roles. Beside film acting, Kapoor participates in stage shows, hosts a radio show and has contributed as a co-writer to two autobiographical memoirs and two books of nutrition guides. She has started her own line of clothing and cosmetics for women, and has worked with UNICEF since 2014 to advocate for the education of girls and an increase in quality based education in India.

Early life

Born on 21 September 1980 in Bombay (now Mumbai), Kapoor (often informally referred to as 'Bebo') is the younger daughter of Randhir Kapoor and Babita (née Shivdasani); her elder sister Karisma is also an actress. She is the paternal granddaughter of actor and filmmaker Raj Kapoor, maternal granddaughter of actor Hari Shivdasani, and great-granddaughter of filmmaker Prithviraj Kapoor. The actor Rishi Kapoor is her uncle, and his son, actor Ranbir Kapoor, is her cousin. According to Kapoor, the name "Kareena" was derived from the book Anna Karenina, which her mother read while she was pregnant with her. She is of Punjabi Hindu descent on her father's side, and on her mother's side she is of Sindhi Hindu and British descent.

Describing herself as a naughty, spoilt child, Kapoor's exposure to films from a young age kindled her interest in acting;[2] she was particularly inspired by the work of actresses Nargis and Meena Kumari. Despite her family background, her father disapproved of women entering films because he believed it conflicted with the traditional maternal duties and responsibility of women in the family.[10] This led to a conflict between her parents and they lived separately before reconciling in October 2007. She was raised by her mother, who worked several jobs to support her daughters until Karisma debuted as an actress in 1991. Although her father was not present for most her childhood, Kapoor remarked that he played an important role in her life.

Kapoor attended Jamnabai Narsee School in Mumbai, followed by Welham Girls' School in Dehradun. She attended the institution primarily to satisfy her mother, though later admitted to liking the experience. According to Kapoor, she wasn't inclined towards academics though received good grades in all her classes except mathematics. Upon graduating from Welham, she returned to Mumbai and studied commerce for two years at Mithibai College. Kapoor then registered for a three-month summer course in microcomputers at Harvard Summer School in the United States. She later developed an interest in law, and enrolled at the Government Law College, Mumbai; during this period, she developed a long-lasting passion for reading. However, after completing her first year, she decided to pursue her interest in acting, though she later regretted not having completed her education. She began training at an acting institute in Mumbai mentored by Kishore Namit Kapoor, a member of the Film and Television Institute of India.

Life and Career

Career Beginnings

While training at the institute, Kapoor was cast as the lead in Rakesh Roshan's Kaho Naa... Pyaar Hai (2000), opposite Hrithik Roshan. Several days into the filming, however, she abandoned the project since more prominence was given to the director's son than her. She debuted later that year alongside Abhishek Bachchan in J. P. Dutta's Refugee. Set during the Indo-Pakistani War of 1971, Kapoor was introduced as Naaz, a Bangladeshi girl with whom Bachchan's character falls in love. Dutta cast her for the combination of youthfulness and innocence he found in her, and Kapoor considered their collaboration to be a learning experience that helped her personally and professionally. Taran Adarsh of Bollywood Hungama noted "the ease with which she emotes the most difficult of scenes", and India Today reported that she belonged to a new breed of Hindi film actors that breaks away from character stereotypes. Refugee was a moderate box-office success in India and Kapoor's performance earned her the Filmfare Award for Best Female Debut.

Kapoor was paired opposite Tusshar Kapoor in Satish Kaushik's box-office hit Mujhe Kucch Kehna Hai (2001). A review in The Hindu noted that based on her first two films, she was "definitely the actress to watch out for". She next starred in Subhash Ghai's flop Yaadein, followed by Abbas–Mustan's moderately successful thriller Ajnabee. Later that year, she appeared in Santosh Sivan's period epic Aśoka, a partly fictionalised account of the life of the Indian emperor Ashoka. Featured opposite Shah Rukh Khan, Kapoor found herself challenged playing the complex personality of her character Kaurwaki with whom Ashoka falls in love. Aśoka was screened at the Venice and 2001 Toronto International Film Festivals, and received generally positive reviews internationally but failed to do well in India, which was attributed by critics to the way Ashoka was portrayed. Jeff Vice of The Deseret News commended her compelling screen presence, but Rediff.com believed that she was primarily used for aesthetic purposes. At the 47th Filmfare Awards, Aśoka was nominated for five awards including a Best Actress nomination for Kapoor.

A breakthrough in Kapoor's career came when she was cast by Karan Johar as Pooja ("Poo", a good-natured, superficial girl) in the 2001 melodrama Kabhi Khushi Kabhie Gham.… She found little resemblance between herself and her "over-the-top" character, and modeled Poo's personality on that of Johar. Filming the big-budget production, alongside an ensemble cast was a new experience for Kapoor, and she recalls it fondly as a dream come true. Kabhi Khushi Kabhie Gham... was an immensely popular release, finishing as India's second highest-grossing film of the year and Kapoor's highest-grossing film to that point. It became one of the biggest Bollywood success of all time in the overseas market, earning over ₹1 billion (US$13 million) worldwide. Taran Adarsh described Kapoor as "one of the main highlights of the film", and she received her second Filmfare nomination for the role—her first for Best Supporting Actress—as well as nominations at the International Indian Academy (IIFA) and Screen Awards.

Box Office India reported that the success of Mujhe Kucch Kehna Hai and Kabhi Khushi Kabhie Gham... established Kapoor as a leading actress of Hindi cinema, and Rediff.com published that with Aśoka she had become the highest-paid Indian actress to that point earning ₹15 million (US$190,000) per film. During 2002 and 2003, Kapoor continued to work in a number of projects but experienced a setback. All six films in which she starred—Mujhse Dosti Karoge!, Jeena Sirf Merre Liye, Talaash: The Hunt Begins..., Khushi, Main Prem Ki Diwani Hoon, and the four-hour war epic LOC Kargil—were critically and commercially unsuccessful. Critics described her performances in these films as variations of the character she played in Kabhi Khushi Kabhie Gham..., and expressed concern that she was becoming typecast. She later spoke positively of this period, recalling it as a beneficial lesson which taught her to work harder, and has confessed to accepting these roles for financial gain rather than artistic merit.

Marriage, Continued success and Motherhood (2012-2017)

Kapoor followed her success in Bodyguard and Ra.One with a role in Shakun Batra's Ek Main Aur Ekk Tu (2012) opposite Imran Khan. Set in Las Vegas, the romantic comedy follows the story of two strangers who get married one night after getting drunk. She played Riana Braganza, a carefree young woman, and was particularly drawn to the qualities of her character. The film received positive reviews and was an economic success, grossing a total of ₹530 million (US$6.6 million) in India and abroad. The Hollywood Reporter found her "endearingly natural"; Sukanya Verma of Rediff.com complimented her for playing a non-ornamental role since that in Jab We Met. She next appeared in Agent Vinod, an espionage thriller directed by Sriram Raghavan. Kapoor was enthusiastic about the project, but it met with a tepid response and she was described as miscast. Asked why she took the role, Kapoor described it as an opportunity to attempt something she had never done before.

For her next feature, Kapoor was cast as a fading movie star in Madhur Bhandarkar's Heroine. Initially skeptical about taking on the part whose personality she felt to be far removed from her own, she agreed after Bhandarkar enforced his faith in her. Although not a method actor, Kapoor believed that the intense role had left her on edge in her personal life and refrained from taking on any other projects. Reviewers found the film monotonous, but noted that it was watchable primarily due to Kapoor's performance. Rajeev Masand described it as "a deliciously camp performance" that was played "with utmost sincerity". Bollywood Hungama opined that it was her best work to date and concluded that despite an inconsistent character, Kapoor embellished it "with a rare vulnerability and an exceptional inner life". At the annual Stardust Awards, Kapoor garnered the Editor's Choice for Best Actress, and received additional nominations at Filmfare, IIFA, Producers Guild, Screen and Stardust.

On 16 October 2012, Kapoor married actor Saif Ali Khan in a private ceremony in Bandra, Mumbai, and she gave birth to their sons in 2016 and 2021 respectively. Kapoor stated that despite adding Khan to her name she would continue practising Hinduism after marriage. Talaash: The Answer Lies Within, in which she played the prostitute Rosie, was Kapoor's final release of 2012. The film is set against the backdrop of Mumbai's red-light districts and follows the travails of a police officer (Aamir Khan) who is assigned the duty of solving a mysterious car accident. The Telegraph found Kapoor a standout among the other performers, adding that "she brings an unseen mix of oomph and emotion". With global revenues of ₹1.74 billion (US$22 million), the film emerged as a box office hit, and earned Kapoor Best Actress nominations at the Screen, Stardust and Zee Cine award ceremonies.

In 2013, Kapoor collaborated with Ajay Devgn for the fourth time in Prakash Jha's Satyagraha, a socio-political drama loosely inspired by social activist Anna Hazare's fight against corruption in 2011. The film received little praise from critics and underperformed at the box office earning ₹675 million (US$8.5 million) domestically. Following an appearance in the poorly received romantic comedy Gori Tere Pyaar Mein (2013), Kapoor decreased her workload for the next two years to focus on her marriage and family. She took on smaller parts where she played the love-interest of Ajay Devgn in the action film Singham Returns (2014) and Salman Khan in the drama Bajrangi Bhaijaan (2015). The former, in which Kapoor had a role written specifically for her, met with mixed reviews and Kapoor received criticism for taking a role of minimal importance. Conversely, the film was a financial success with a revenue of over ₹1.4 billion (US$18 million). Kabir Khan's Bajrangi Bhaijaan emerged as India's highest-earning film of the year grossing a total of ₹3.20 billion (US$40 million), and earned the National Film Award for Best Popular Film Providing Wholesome Entertainment.

In 2016, Kapoor took on a starring role in Ki & Ka, about gender stereotypes, to which she was particularly drawn for its relevance. Critics were divided in their opinion of the film, but it emerged a financial success grossing over ₹1 billion (US$13 million) worldwide. Meena Iyer of The Times of India mentioned Kapoor as remarkable, and Sukanya Verma considered the actress to be the film's prime asset. She next featured in Udta Punjab (2016), a crime drama that documents the substance abuse endemic in the Indian state Punjab. Kapoor was initially reluctant to do the film due to the length of her role, but agreed after reading the completed script and partially waived her fees to star in it. Udta Punjab generated controversy when the Central Board of Film Certification deemed that the film represented Punjab in a negative light. The Bombay High Court later cleared the film for exhibition with one scene cut. Rediff.com stated that the film relies on her character, and Mehul S. Thakkar of Deccan Chronicle wrote that she was successful in delivering such a strong performance. For her performance, Kapoor received a nomination for Best Supporting Actress at the Filmfare and Zee Cine award ceremonies.

Veere Di Wedding and beyond (2018-present)

Following the birth of her first child, Kapoor was persuaded by her husband to return to acting. She was keen to work on a project that would accommodate her parental commitments and found it in Shashanka Ghosh's female buddy film, Veere Di Wedding (2018). Initially approached for the project in 2016, the makers rewrote Kapoor's role to accommodate her pregnancy, but the lack of maternity insurance in India led filming to begin after she gave birth. She liked the idea of telling a story of friendship and love from a female perspective, which she believed was rare in Hindi film, and was pleased to work with three other leading ladies. Anna M. M. Vetticad praised the film for portraying women with "agency, flaws, humanity and, above all, a sense of humour", and took note of Kapoor's restrained performance. With a worldwide gross of over ₹1.38 billion (US$17 million), Veere Di Wedding emerged as one of the highest-grossing female-led Hindi films.

Kapoor reteamed with Akshay Kumar in Good Newwz (2019), a comedy about two couples' tryst with in vitro fertilisation. Mint's Udita Jhunjunwala wrote that it is "hard to keep your eyes off Kapoor". She received Best Actress nominations at Filmfare, IIFA and Zee Cine Awards, and the film earned over ₹3 billion (US$38 million) to emerge as the fifth highest-grossing Hindi film of the year. She next took a supporting role in Angrezi Medium (2020), a spiritual sequel to Hindi Medium. According to her, it was a deliberate attempt to move away from her comfort zone; she filmed her role in 10 days while she was accompanying her husband on his film shoot in London. The feature released in India amid the COVID-19 pandemic and its commercial performance was affected due to the closing of the cinemas. Nandini Ramnath of Scroll.in commended her "ability to glitter in a handful of moments", but Vinayak Chakravorty for Outlook thought the portions involving Kapoor were inessential to the story.

In 2022, Kapoor starred in an adaptation of Forrest Gump, titled Laal Singh Chaddha, starring Aamir Khan in the title role. She played Rupa, a troubled aspiring actress; Devesh Sharma of Filmfare opined that her performance "filled with angst and grit" was one of the best in her career. Amidst a significant campaign by Hindu nationalists to boycott the film due to Aamir Khan's political affiliations, Laal Singh Chaddha failed to recoup its estimated production budget of ₹1.5 billion (US$19 million).

Eager to work in the thriller genre, Kapoor signed on for two such films directed by Hansal Mehta and Sujoy Ghosh, respectively. In Mehta's The Buckingham Murders (which will also mark her first production venture), she will play a detective in a small town in Buckinghamshire, for which she modelled her character on Kate Winslet's role in Mare of Easttown. Ghosh's film will be an adaptation of Higashino Keigo’s novel The Devotion of Suspect X, in which she will play a single mother involved in a murder. Kapoor will return to commercial cinema with the female-led comedy-drama The Crew, about an aircrew, co-starring Tabu and Kriti Sanon.

Performances: technique and analysis

Kapoor relies on her instincts and spontaneity as an actor. She is known to commit heavily to each role, and refrains from rehearsing for a project. Commenting on this, director Rajkumar Hirani said “I usually have a habit of conducting rehearsals for my actors, but she insisted on not having them as it would affect her spontaneity. She really surprised me with a couple of emotional scenes which we canned in just one take.” Karan Johar described Kapoor as a "natural", explaining that “she has no craft, grammar or process attached to her acting. It is a great sense of cinema that can keep her going.” According to Rensil D'Silva (who directed her in Kurbaan), “Kareena  is instinctive and has emotional intelligence. She absorbs the situation and performs accordingly. Discussing the scene, in fact, harms her.”

In 2010, Rediff.com noted: “Even though a lot of her starring roles have been forgettable, a look at her filmography now, however, would show a more thoughtful selection of roles playing to her strengths.” Her portrayal of a series of superficial characters at the start of her career were criticised; film historian Gyan Prakash explained that these roles "tended to infantilise her, packaging her as daddy's little girl, all bubble and no fizz". Critics noted Chameli (2004) as her coming of age, claiming that "a new actor in her was discovered". Following her portrayal of a variety of character types in Chameli, Dev (2004), Omkara (2006) and Jab We Met (2007), Kapoor was noted for her versatility. In 2010, Filmfare magazine included two of her performances—from Omkara and Jab We Met—in its list of "80 Iconic Performances". India Today labelled her "the most versatile female lead in the industry", noting that she "plays her roles with trademark spunk".

Manjula Sen of The Telegraph wrote although she has the worst success ratio among her contemporaries, it does not affect her marketability. Sen believed Kapoor's strength lies in her being versatile; she is “effortlessly honest in her performances. It is a candour that spills over in her personal conduct.” Writing for News18, Rituparna Chatterjee spoke of her transformation to date: “[A]fter 40 films and 10 years of fighting off competition from some of the most versatile actors of her generation, Kareena has matured into a bankable actor reinventing herself with surprising ease.” In 2004, Kapoor placed third on Rediff's list of "Top Bollywood Female Stars". She was later ranked seventh and fifth in 2005 and 2006 respectively, and returned to third place in 2007. In January 2011, Kapoor placed fourth on Rediff's list of "Top 10 Actresses of 2000–2010".

Accolads

Kapoor has received six Filmfare Awards out of fifteen nominations. For her role in Refugee, Kapoor was awarded the Best Female Debut in 2000. She earned a special jury recognition for Chameli (2003), and two Critics Award for Best Actress for Dev (2004) and Omkara (2006). Kapoor later received the Best Actress and Best Supporting Actress for Jab We Met (2007) and We Are Family (2010) respectively.